Milo Manara

I love Milo Manara‘s artwork, even though some might find it weird because he does comics in an erotic (and even pornographic) approach. I knew him from his collaborative work with Neil Gaiman, Endless Nights. Milo Manara had done the artwork for the story of Desire of the Endless in Endless Nights. And now he has represented a portion of the ancient human history (for people who are offended easily, please don’t look at the images below, for they are sexually explicit. You have been warned!). I found it very great and I wish I could have found a bigger resolution. You might recognize the images because most of them are taken from major artworks and represented in another way. I think the way of representing the human history like this looks like the Aurelian column, like I mentioned in my other blog.

The LOST Underground Art Project

It’s surprising to know how many people are addicted to the show LOST. There was even a LOST underground art project, presented by Ronie Midfew Arts and Damon Carlton in Gallery 1988. Here are some of the contemporary artworks from the show that I liked. You can view more on the shows’ blog.

Scott Campbell "LOST Showdowns (1)" watercolor on archival paper 5 x 5 inches each, framed $350.00 each SOLD

Scott Campbell "LOST Showdowns (2)" watercolor on archival paper 5 x 5 inches each, framed $350.00 each ONLY 1 STILL AVAILABLE - 3rd row down, middle Showdown - Ethan vs. Claire

64 Colors $500.00 - SOLD

Ralph Cosentino "Make Your Own Kind Of Music" gouache on board 9.75 x 7.75 inches, framed $700.00 - SOLD

Jeremy Asher Lynch "Ellie Is Lost With The Others" acrylic on canvas 18 x 36 inches $1,200.00

Wade Schin "Hurley" one-of-a-kind sculpture approx. 5 inches tall, off base $815.00 - SOLD

Wade Schin "Locke" one-of-a-kind sculpture approx. 5 inches tall off base $815.00

Edwin Ushiro "State Of Something Fading Into Nothing" mixed media on paper 13.37 x 21.25 inches, framed $1,516.00

Danielle Buerli "Freckles" sculpture and mixed media 11 x 9 inches, in box $600.00 - SOLD

Ken Garduno "L" acrylic-ink and wash on paper 12.25 x 14.75 inches, framed $500.00

Ken Garduno "O" acrylic-ink and wash on paper 12.25 x 14.75 inches, framed $500.00

Ken Garduno "S" acrylic-ink and wash on paper 12.25 x 14.75 inches, framed $500.00

Ken Garduno "T" acrylic-ink and wash on paper 12.25 x 14.75 inches, framed $500.00

Julian Callos "No Man Is An Island" ink, acrylic and gouache on watercolor paper 12 x 12 inches, framed $480.00 - SOLD

Dan May "The Polar Bear Conundrum" acrylic on panel 14 x 16 inches $1,200.00

Edwin Ushiro "A Muffled Concept Of What We Considered Ubiquitous" mixed media on paper 29.25 x 21.25 inches, framed $2,342.00 - SOLD

Carlos Ramos "What Kate Did" cel vinyl on wood 18 x 24 inches $1,000.00

Carlos Ramos "The Swan" cel vinyl on wood 24 x 24 inches $1,200.00 - SOLD

Final Fantasy XIII Package art released!

The highly anticipated Final Fantasy XIII by Square Enix will be released on the 9th of March, 2010 in Europe and in the U.S.

According to the announcement of Yoshinori Kitase, the producer of Final Fantasy XIII (also the producer of other games in the series), the Square Enix team has worked with high definition for the first time.

Here are the package design, both for PlayStation 3 and Xbox.

Final Fantasy game covers

I came across a site called Cover Browser while searching for album covers for my illustration class (the idea was to make my Jack and Jill project like it was a set of albums because one of my assistants thought my illustrations looked like an album he knew, but it didn’t really worked out), and I loved the site because it is quite an archive for books, comics, games and much more. So here are some of the covers of the Final Fantasy (which is developed by Square Enix, where my dream job is) games, and I guess if you’ve read my post about Yoshitaka Amano, you’d be able to understand his visual work and maybe a bit of his work from these covers.

VIII-2

“What motivated you to become a graphic designer?”

Some quotes on “what motivated you to become a graphic designer?” answered by various graphic designers around the globe from the book Becoming a Graphic Designer by Steven Hiller & Teresa Fernandes. There are quite a lot designers who have answered these questions but I typed a few that I felt that I was close to. You can buy the book from here.

“I remember being starved for visual stimuli, even before I knew what that meant. I remember looking at every detail of every sign, poster, picture, page, book, newspaper, magazine, comparing the styles and distribution of information. And it wasn’t just words and pictures but also the shapes of letters that formed the words, the spaces between the letters, and the messages and feelings – the total combination of things conveyed. I remember being twenty-one and someone telling me I might as well be earning credits for being so visually obsessed and perhaps someday being paid to make things.” -Sharoz Makarechi

“I was always interested in design – in the old theater posters brought to me by my father from Poland, in the matchbooks and menus I collected as a teenager. I studied art and photography until I took my first typography and design classes, at which point my varied interests suddenly found form together and made sense.” -Kelly Doe

“As far back as I can remember, I was very interested in art, which to me consisted of the graphic illustrations in comic books, along with the ads and the amazing products that they offered. Growing up in a small town in Iowa, I’m not sure I had ever heard of the words graphic design until I received a catalog from the Minneapolis College of Art and Design.” -Charles Spencer Anderson

“I was interested in typography since I was a little kid. My uncle was a calligrapher and he brought me some of those old Speedball lettering books, which always interested me. At the time, I thought those were all the typefaces available in the world – in that book. I practiced drawing them, but then I became a fine art major in college. Back then there was really nothing known as design. Most design, as far as a kid would know, was associated with advertising. I didn’t want to do advertising mainly because it seemed so commercial and so much of it seemed to be based on cleverness rather than artistic ability. So I went into fine art. I’d often mix type with my drawing in a sort of a juvenile, high-schoolish kind of way. And I was still getting the type from that Speedball book.” -Martin Venezky

“I used to collect shopping bags and labels, like hang tags from clothes, and put them up on my wall. But beyond that, I really didn’t know that graphic design existed until later on in high school. I always felt that I wanted to go into advertising; when I started thinking about colleges, that’s what I wanted to study. And graphic design, I guess, popped up about then.” -Michael Ian Kaye

“I liked the fact that design was disciplined and rigorous, that it was a part of everyday “real” world; the fact that you could actually make a living at it was reassuring for my parents.” -Jeffery Keedy

“I had to make a choice of what to study, and I had taken some art classes in high school that I really liked, but my parents felt that it wasn’t very practical. When we went to the university the teachers were proud to tell my parents that now there was this new field of graphic design where you could be creative and still make money. So everybody was happy. That’s how I got started.” -Rita Marshall

“What fascinated me about graphic design was the notion of organizing information in a logical and emotional way through the use of space, size, and color. I haven’t changed much; the same things still excite me today. My formal education was basically architecture, not graphic design. My first jobs were in every design area, too many to mention here. The most important notions I was taught as a student was “an architect should be able to design anything from a spoon to a city” and that “less is more.” My life reflects those notions.” -Massimo Vignelli